Midnight Blue for the hours of sleepless melancholy; Black Permanent for days that dawn dark and stubbornly stay that way. Corn Poppy Red for fiery exchanges with the universe, and testy tirades at my own imperfections; Golden Yellow to summon the sunshine back. Oyster Grey for cool reflections and to shape the world in my own way; Irish Green for mystery and mischief. Sober Toffee Brown for study and chewing matters over; sumptuous Lavender Purple for grand, imperious prose. And sometimes I’ll fill up for days or months with my favourite Invisible. Just to keep them guessing.
The river is gorged on days of rain; consistency of soup, colour of coffee. Barely contained, boisterous and rowdy, it barrels through town, boiling in froth as it shoots the bridge, snatching up tangles of twigs and branches, bright-coloured plastic, bottles and beer-cans, odd bits of litter, any duck not quite paying attention, and hurling them down its own throat as it roars its wild way to its mouth. But I recall summer, when this noisy delinquent was a starveling shadow, thin as a wand, sticks and stones like ribs and bones staring through its pale, dirty skin. Oh yes, it’s big now, bold and rambunctious, and nothing dares stand in its way. But wait till the sun is back in full fire, the brown fields are gasping and the sky is a bowl of blue steel. It won’t be so full of itself then.