A radiant rising
In readiness for a gilded mourning.
For a fraction of a fraction of a second
Night and day will stand
The season a bright gold penny
Balanced on its edge.
And in the fraction of a fraction that follows
We start the long drop into dark
From which we wonder
If we will ever emerge
And if we do
What kind of world we’ll find.
So I let our falling star
Copperplate my limbs and face
Breathe the newly sharpened air
Allow myself one more glance back;
The last day of a summer
That never truly was.
For the first time in my life I am despairing.
Our worst fears realised: sickness, hatred, strife, corruption
Spreading through the land; our leaders gross, vile, uncaring
As we’re heading, deep in denial, for destruction.
When I was younger, stronger, I might have resisted.
But I no longer have the will to fight; defeated
By depths of greed and lies I never knew existed.
And deed by wicked deed the coup’s completed.
So to the wood, the field. In their quiet rehearsing
Of good, timeless tales, truth is revealed; no agenda.
I regain my voice and strength. The dark is dispersing.
My choice is stark but clear. I will not surrender.
The Celtic droighneach is probably the most challenging form I’ve encountered; although it looks simple enough, to my mind only the sestina comes close in terms of metrical constraints and complexity. It’s so taxing I can manage only about one a year, but it’s always fun to do (in hindsight, and following a stiff drink and a lie down in a darkened room). N.
Everything is burning.
I could sweep up
All the oceans of the world
In a bucket big as the moon
And still not douse the flames;
What will be left
But blistered brick, charred timbers
Glass puckered like a fairground mirror,
Ash and soot, reeking skies,
Survivors wandering the ruins like lost dogs.
And what will rise:
Golden cities, verdant acres – or dead grey wastes
Where blank-faced blocks like sarsen stones
Throw their sharp shadows
And chill all those who pass.
Not very cheerful for a sunny Friday, I’m afraid. But with everything that’s going on here in the UK, it’s pretty much all I’ve got today. I’m sorry. Take care of yourselves and those you love. N.
My bicycle has brought me
Through country lanes, quiet woods
And up a short, steep hill
To this almost-forgotten church
Where the old dead dream deep
Beneath tumbled, lichened stones
Lost in drifts of summer flowers.
And I could be content
Were it not for knowing
Even this sublime machine
Will never bear me where I truly wish:
Back through years to times when we
Had seen and lived through none of this;
All things lay up ahead, yet to be.
So I must choose: inter all hope
To moulder like these ancient worthies;
Vainly seek a road that runs
Against the flow of Time;
Or climb on, breathe deep, look ahead
And take the onward way again
To all I fear, and cannot know.
Now the breeze brushes the barley
Sweeping through the crop like a cavalry charge;
Darkening the bright awns
Like velvet rubbed against the nap;
Then switches, swings, retreats in waves of pale gold;
All the field in motion, shaken by a hidden hand.
A power – all-present, fierce, unseen –
Swirling, sleepless, through the land.
A faint breeze wafts the feathery tops
Of the grasses in the hayfield;
Soft, tawny with sun, downy with pollen.
Shut up safe all spring,
No hungry mouths to tear and chew,
No hard hooves to spoil and trample.
But soon the end will come
In the whine and slash of spinning steel
And thus laid low, all will be withered, gathered up,
Neatly compressed, and then consumed.
The sward close-cropped, shocked
Pale and scarred as a convict’s scalp.
The careful husbanding of months
Undone; stripped and carted, buried deep
Beneath black plastic. Overhead
The buzzard circles, patient, watchful.
While in the shattered stems
The urge to grow anew gains strength
And, irresistible, prepares a second crop
To be cut down in its time.